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What Is Warli Printing
Warli painting is a traditional tribal art form that originated in the Warli region of Maharashtra, India. It is known for its simplicity, use of basic geometric shapes, and depiction of rural life. While Warli painting is not a form of printing, it is a unique style of painting created by the Warli tribe, and it has gained recognition as a significant form of folk art. Warli art is a traditional folk art form that originated in the Warli region of Maharashtra, India. It is one of the oldest art forms in India, with a history dating back over 2,000 years.
History and Origin of Warli Painting
Tradition of warli art
Usually the Warli paintings are done during the marriage ceremony and they call them as “Lagnacha chauk” meaning marriage paintings. The painting is sacred and without it the marriage cannot take place. Their respect for nature is from the most gigantic to the smallest creature and plant. The figures and traditional motives are repetitive and highly symbolic. They communicate through their paintings and their life style and passion for nature are depicted with utmost details. Triangular humans and animals with stick-like hands and legs, geometrical designs with rows of dots and dashes are drawn on the mud walls of the huts of tribals. In Warli paintings it is rare to see a straight line. A series of dots and dashes make one line. The artists have recently started to draw straight lines in their paintings. From the depths of the painting spring a variety of activities with humans, animals, and trees. The subjects found in these paintings are wedding scenes, various animals, birds, trees, men, women, children, descriptive harvest scene, group of men dancing around a person playing the music, dancing peacocks, and many more. One of the famous Warli paintings is the marriage “Chauk” – a painting made at the time of marriage. The women called savasini meaning married women whose husbands are alive, paint a “chauk” or a square on the walls. Warli paintings are strangely ascetic, unlike other folk paintings of India which consist of myriad primary colors in such abundance. Instead they are painted in white on an austere brown surface decorated with occasional dots in red and yellow. This first impression of sobriety is countered by the ebullience of the themes depicted. These are remarkable in their intensely social nature. They look outwards, capturing the life around and by implication, the humanness of living. Men, animals and trees form a loose, rhythmic pattern across the entire sheet. This results in a light swinging and swirling movement, describing the day to day activities. In doing so, they seem to be seeking communication among themselves and with the outside world. It is believed that these paintings invoke powers of the Gods. Simply painted on mud, charcoal and cow dung based surface with rice paste for the colour white, the art form deals with themes that narrate their social lifestyle and activities. The loose rhythmic movement that each painting suggests adds life to the paintings. Warli paintings are strangely ascetic, unlike other folk paintings of India which consist of myriad primary colors in such abundance. Instead they are painted in white on an austere brown surface decorated with occasional dots in red and yellow. This first impression of sobriety is countered by the ebullience of the themes depicted. These are remarkable in their intensely social nature. They look outwards, capturing the life around and by implication, the humanness of living. Men, animals and trees form a loose, rhythmic pattern across the entire sheet. This results in a light swinging and swirling movement, describing the day to day activities. In doing so, they seem to be seeking communication among themselves and with the outside world. It is believed that these paintings invoke powers of the Gods .
Symbolism in Warli art
Every symbols of Warli art has their own meaning and language. Men and women in spiral form and concentric circular designs in Warli Paintings symbolize the circle of life. The harmony and balance depicted in these paintings is supposed to signify the harmony and balance of the universe.
The sacred nature of the trees is suggested by their soaring heights in relation to the men and beasts. Dances of spring, of budding trees, of the meeting of lovers, and the poise and abandon form an important repertoire in tribal vocabulary. Nothing is static; the trees, the human figures, the birds challenge and respond to each other, create tensions and resolve them. The art of the tribal people symbolises man’s harmony with each other and with nature. These paintings also supposedly invoke powers of the Gods.
Understanding warli painting!
Although the Tribals live very close to Mumbai, India’s largest metropolis, they shun all influences of modern urbanization. Even though many paint for commercial gain today, they have continued to adhere to old themes and motifs that can only be appreciated by those who know and understand Tribal culture.
Tribals worship nature in many forms – sun and moon, god of thunder, lightning, wind, rain etc. Different gods are worshipped in different seasons. In the coming of the first rice crop, they worship the god of rain in a festival called Naranadeva. In other festivals that follow, the tribals worship the goddesses of fertility, household peace, harvest and many more.
For the tribals, life is an eternal circle. At all occasions – birth, marriage, and death they draw circles, symbol of Mother Goddess. Death is not the end for them; rather it is a new beginning. Which is why circles best represent the art of tribals, which has neither an end nor a beginning.